“I turned the music up as loud as it could go,” says Henson. “I was like, ‘Man, this track is slamming!” he says.Įxcited by the song and the fact that “those white boys could dance,” Henson got to work right then and there in his Vegas hotel room. “’This is going to be the pinnacle.'” So Henson hopped on a flight to Vegas where NSYNC was performing at the Billboard Awards so they could play him “Bye Bye Bye” for the first time. “He was like, ‘No, no, no, you don’t understand you gotta do this song,’” Henson recalls. Henson told Wright he was pursuing acting and no longer choreographing, but Wright wasn’t having it. Henson - whose résumé boasts names such as New Kids on the Block, Britney Spears, and the Spice Girls - was actually on the brink of quitting the industry after losing out on a VMA for his work on Jordan Knight’s “Give It to You” when he got the call from NSYNC manager Johnny Wright. That unforgettable choreography was the brainchild of acclaimed choreographer (and creator of everyone’s favorite 2001 instructional dance VHS, Darrin’s Dance Grooves), Darrin Henson. “It’s funny how things come back to you so easily, but I guess if you did it, you know, five million times, it’s somewhere in your DNA.” “I feel like I’ve taught that dance to about 50 people this year alone,” says Bass, who remembers actually breaking his ankle while performing the routine on SNL shortly after shooting the video. If you don’t know the signature move to the “Bye Bye Bye” chorus, you’re too young to be reading this piece. and Lance had very wry humor about it all.” Chris and Joey had the sense of fun, Justin has that smile, and J.C. They all have big personalities and we had to make sure we shined the light on everybody. “It definitely was a lot of fun because those guys all had a blast and took a lot of chances. “We had a good run together,” says Isham, who later worked with the group on the “It’s Gonna Be Me” and “Pop” videos. With the band’s input, Isham used the guys’ unique traits to come up with the concept. “It was all about MTV and how can we outdo each other - but spending $1 million on a video? That was probably stupid.” “It was a fun time to make music videos,” Bass tells EW. Complete with speeding trains, car chases, rabid dogs, and synchronized choreography on strings, director Wayne Isham created a thrilling four-minute ride that - if you don’t overthink it too much - somehow fits with the lyrical theme of escaping an ex. The “Bye Bye Bye” video was no exception. In the early 2000s, it wasn’t uncommon for music videos to resemble mini-action movies, with high-energy dance breaks, bizarre concepts (we all remember Britney in Mars for the “Oops!… I Did it Again” video, right?) and money to spare. Frank Micelotta/ImageDirect A Group Effort
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